How can participatory art be a form of cultural democracy?

Mark Drumbl and Caroline Fournet The Visualities and Aesthetics of Prosecuting Aged Defendants

Randle C. DeFalco Invisible Atrocities The Aesthetic Biases of International Criminal Justice

at Central European University in Vienna 12-13 May 2023

Emily Kidd White, Images of Reach, Range, and Recognition: Thinking about emotions in the study of international law

F. Gantheret, N. Guibert and S. Stolk (eds) Art and Human Rights: A Multidisciplinary Approach to Contemporary Issues

Student voices on filmmaking and international justice: reflections on Fragments of Humanity (2022)

Julien Seroussi and Franck Leibovici Can Art Change Legal Practice? A Case Before the International Criminal Court

Entering the void of Richard Serra’s Equal Parallel Guernica-Bengasi

Oren Ben Dor (eds) Law and Art: Justice, Ethics and Aesthetics

Christine Schwöbel-Patel Marketing Global Justice The Political Economy of International Criminal Law

The role of art as a wellness tool for legal professionals

Miriam Bak McKenna Designing for international law: The architecture of international organizations 1922-1952

A Monument for Srebrenica in The Hague

Creative self-expression of crisis-affected people.

conducted together with the UN Special Rapporteur on cultural rights, Karima Bennoune, on art, aesthetics and international justice is online.

Marina Aksenova and Amber N. Rieff on art and reconciliation in international criminal justice

Sofia Stolk and Renske Vos on legal sightseeing

is a visual artist and performer; her art practice is devoted to spatial perception and a place of individuum within a social space. Alexandra has been engaged in a number of interdisciplinary projects on human rights and social justice.

On 16 October 2019, Asser Institute together with ARTIJ hosted a workshop: "Art and International Justice: Sounds, Design, Visuals"

on legal protection of cultural heritage for the benefit of humankind.

Designing A More Perfect Ad Hoc International Criminal Tribunal

is a U.S. based visual artist specializing in the traditional art form of manuscript illumination. She is author of Beyond Genocide; an emerging series of illuminations narrating a visual documentary arts perspective on global incidents of genocide and mass violence. Ms. Fagin is also an independent scholar in genocide studies and conducts research / seminars, lectures, workshops and advisory work on global initiatives of memory and memorialization through individual and collective arts expression and the museum experience.

as part of Cambridge University Festival of Ideas entitled "Creating Perceptions through Arts: Creativity in Post-Conflict Societies" brings together artists and academics to discuss the potential of arts in creating awareness and in shifting perceptions on identity and agency in post-conflict societies.

is the Hungarian and European Slam Poetry Champion, writer, inventor and director of the "Hate Speech" Monologues, free speech scholar, radio host at Radio Tilos, a former Member of the Hungarian Parliament (1990-1998).

Collection of publications on the results of a two-day workshop

Art & Reconciliation

Exploring Culture in International Criminal Law through The Prosecutor v. Ahmad Al Faqi Al Mahdi

The Protection of Cultural Heritage by International Criminal Courts: the Emergence of a Lacuna

International Justice Through the Kaleidoscope of Photography – Thoughts on the Exhibition ‘Trauma, Healing and Hope’ at the International Criminal Court

The Use of Artistic Productions as a Transitional Justice Mechanism in the Context of International Criminal Justice and the Misuse of International Tribunals’ Mandates

Art, Justice and Reconciliation

“A Happy Building”: Architecture and Universal Justice at the International Criminal Court

Iconography at the International Criminal Court and the Idea(l) of International Justice: Symbolic or Substantive?

Scattered Thoughts on Art as Contrarian: Justice Pal’s Memorial in Tokyo

INTRODUCTION: Art and International Courts

Stitching In/Justice: The art of conflict textiles

On 25-26 April 2019, iCourts and ARTIJ hosted a two-day workshop dedicated to the theme 'Art and International Courts'.

is visual and performance artist and the author of '30 seeds' exhibition: "Interactive Sculpture Exhibition is the media I choose to show my artistic work, where form, scale and senses merges."

is a filmmaker and artist. He uses his multi disciplinary practice to explore issues of social justice.

It is an interactive account offering an overview of ICTY (International Criminal Tribunal for the former Yugoslavia) cases focused on prosecuting crimes relating to destruction of cultural heritage.

It is an online narrative describing how the ICTY investigated, reconstructed and prosecuted crimes committed in Srebrenica in July 1995, including genocide.

who serves as Private Secretary at Foreign and Commonwealth Office is added to the list of publications. This piece is focused on participatory art in the context of transitional justice.

Creativity and Bureaucracy

Camera Justitia at the Movies that Matter Festival

is a film-maker and photographer who since the beginnings of his career has been concerned with social and international justice.

The Role of Storytelling in Legal Justice Activism

Using Art to Raise Awareness on Forced Marriage and Related Sexual and Gender-Based Violence in Cambodia

spoke about the role of aesthetics at the conference on integrity in international justice held on 1-2 December in The Hague.

The Five Days Drawing Project. Art workshop with Rohingyas refugees.

Dr. Elander's book on victims in international criminal justice explores the case of Cambodia and ECCC, paying homage to such issues as memorialisation and the Court's outreach efforts, including an in-depth study of Toul Sleng Museum.

at the Inter-American Court of Human Rights and the International Criminal Court Podcast from the conference 'Rethinking Reparations in International Law'.

is artistic director and co-founder of the Khmer Arts Academy and the choreographer of the Phka Sla project, which is a dance performance that explores forced marriage under the Khmer Rouge regime.

Museum, Phnom Pehn

explores the role of artistic expression in the efforts to achieve atonement and reconciliation.

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is an artist and founder of the To Un-Become Project

is a photoreporter and author of the book 'Memories of the War Reporter' who took pictures of the different phases of war in the former Yugoslavia: Balkans 1991 - 2011

is a pilot project that aims to give visual representation to the dangers of the genocidal ideology